Name: The Everyday Writer with Exercises, 2020 APA Update
Author: Andrea A. Lunsford

About

Open your handbook--and open your mind.

The Everyday Writer, Seventh Edition, invites you to think through the choices you have in any writing situation--in other words, it invites you to think rhetorically. A book for our times, it will also help you communicate ethically, listen respectfully, experiment with language, and adopt openness as a habit of mind. Plenty of student models help you with different kinds of writing, and Lunsford’s Top Twenty serves as a guide for building your confidence as editor of your own work. A easy-to-use practical guide to the power of writers’ language and the power of writers’ choices, The Everyday Writer is your tool for making something happen in the classroom--and in the world.

Digital Options

E-book

Read online (or offline) with all the highlighting and notetaking tools you need to be successful in this course.

Learn More

Achieve

Achieve is a single, easy-to-use platform proven to engage students for better course outcomes

Learn More

Writing Rhetorically
1 Expectations for College Writing: Open your book, open your mind
a Choose openness
b Use social media wisely
c Position yourself as an academic writer
d Read and listen respectfully, actively, and critically
e Plan research
f Use digital tools effectively

2 Rhetorical Situations
a Make good choices for your rhetorical situation
b Plan your text’s topic and message
c Consider your purpose and stance as a communicator
d Analyze your audience
e Think about genres and media
f Consider language and style
g A SAMPLE RHETORICAL SITUATION

3 Exploring, Planning, and Drafting
a Explore your topic
b Narrow your topic
c Craft a working thesis
d Gather information
e Organize information
f Make a plan
g Create a draft

4 Developing Paragraphs
a Focus on a main idea
b Provide details
c Use effective methods of development
d Make paragraphs flow
e Work on opening and closing paragraphs

5 Reviewing, Revising, and Editing
a Review your writing
b Get the most from peer review
c Consult instructor comments
d Revise
e Edit

6 Reflecting
a Reflect to present your work effectively
A STUDENT’s REFLECTIVE STATEMENT
b Reflect to learn
A STUDENT’s REFLECTIVE BLOG POST

Critical Thinking and Argument
7 Critical Reading
a Consider reading collaboratively
b Preview the text; consider the source
c Read and annotate the text
d Summarize the main ideas
e Analyze and reflect on the text
f Think critically about visual texts
g A STUDENT’S CRITICAL READING

8 Analyzing Arguments
a Think critically about argument
b Recognize cultural contexts
c Identify an arguments’s basic appeals
d Recognize the use of stories in argument
e Understand Toulmin’s elements of argument
f Think critically about fallacies
g A STUDENT’S RHETORICAL ANALYSIS

9 Constructing arguments
a Understand purposes for argument
b Determine whether a statement can be argued
c Make a claim and draft a working thesis
d Examine your assumptions
e Shape your appeal to your audience
f Consider the use of narratives or stories
g Establish credibility through ethical appeals
h Use effective logical appeals
i Use appropriate emotional appeals
j Consult sources
k Organize your argument
l Consider design and delivery
m A STUDENT’S ARGUMENT ESSAY

Research
10 Doing research
a Preparefor a research project
b Form a research question and hypothesis
c Plan your research
d Move from hypothesis to working thesis
e Understand different kinds of sources
f Use web and library resources
g Consulting your library’s staff, databases, and other resources
h Conduct field research

11 Evaluating Sources
a Understand why writers use sources
b Create a working bibliography or an annotated bibliography
c Evaluate a source’s usefulness and credibility
d Read critically, and interpret sources
e Synthesize sources

12 Integrating Sources and Avoiding Plagiarism
a Decide whether to quote, paraphrase, or summarize
b Integrate quotations, paraphrases, and summaries effectively
c Integrate visuals and media effectively and ethically
d Understand why acknowledging sources matters
e Know which sources to acknowledge
f Recognize patch writing
g Uphold your academic integrity, and avoid plagiarism
h Write and revise a research project

Academic, Professional, and Public Writing
13 Writing Well in Any Discipline or Profession
a Consider genres across disciplines and professions
b Consider expectations for academic assignments
c Learn specialized vocabularies and styles
d Use evidence effectively
e Pay attention to ethical issues
f Collaborate effectively and with an open mind

14 Writing for the Humanities
a Read texts in the humanities
b Write texts in the humanities
c A STUDENT’S CLOSE READING OF POETRY

15 Writing for the Social Sciences
a Read texts in the social sciences
b Write texts in the social sciences
c EXCERPT FROM A STUDENT’S PSYCHOLOGY LITERATURE REVIEW

16 Writing for the Natural and Applied Sciences
a Read texts in the natural and applied sciences
b Write texts in the natural and applied sciences
c EXCERPT FROM A STUDENT’S CHEMISTRY LAB REPORT

17 Writing in Professional Settings
a Read texts for business
b Write texts for business
STUDENT MEMO
TRADITIONAL RÉSUMÉ
CREATIVE RÉSUMÉ

18 Making Design Decisions
a Choose a type of text
b Plan a visual structure
c Format print and digital texts appropriately
d Consider visuals and media

19 Creating Presentations
a Consider assignment, purpose, and audience for presentations
b Write to be heard and remembered
c Create slides or other visuals
d Practice and deliver the presentation
e Consider other kinds of presentations

20 Communicating in Other Media
a Consider your rhetorical context
b Consider types of multimodal texts
c Plan features of texts

21 Writing to Make Something Happen in the World
a Decide what should happen
b Connect with your audience
c SAMPLE WRITING TO MAKE SOMETHING HAPPEN IN THE WORLD

Language and Style
22 Language and Identity
a Recognize how the language of others can shape identity
b Use language to shape your own identity

23 Language Varieties
a Use “standard” varieties of English appropriately
b Use varieties of English to evoke a place or community
c Build credibility within a community with language variety
d Bring in other languages appropriately

24 Writing to the World
a Think about what seems “normal”
b Clarify meaning
c Meet audience expectations

25 Language That Builds Common Ground
a Examine assumptions and avoid stereotypes
b Examine assumptions about gender
c Examine assumptions about race and ethnicity
d Consider other kinds of difference

26 Style Matters
a Use effective words and figures of speech
b Use powerful verbs
c Use varied sentence lengths and openings

27 Coordination, Subordination, and Emphasis
a Use coordination to relate equal ideas
b Use subordination to distinguish main ideas
c Use closing and opening positions for emphasis

28 Consistency and Completeness
a Revise faulty sentence structure
b Match up subjects and predicates
c Use elliptical structures carefully
d Check for missing words
e Make comparisons complete, consistent, and clear

29 Parallelism
a Make items in a series parallel
b Make paired ideas parallel
c Include all necessary words

30 Shifts
a Revise unnecessary shifts in verb tense
b Revise unnecessary shifts in mood
c Revise unnecessary shifts in voice
d Revise unnecessary shifts in person and number
e Revise shifts between direct and indirect discourse
f Revise shifts in tone and word choice

31 Conciseness
a Eliminate unnecessary words
b Simplify sentence structure

The Top Twenty
32 The Top Twenty: A Quick Guide to Editing Your Writing
Wrong word
Missing comma after an introductory element
Incomplete or missing documentation
Vague pronoun reference
Spelling (including homonyms)
Mechanical error with a quotation
Unnecessary comma
Unnecessary or missing capitalization
Missing word
Faulty sentence structure
Missing comma with nonrestrictive element
Unnecessary shift in verb tense
Missing comma in a compound sentence
Unnecessary or missing apostrophe (including its/it’s)
Fused (run-on) sentence
Comma splice
Lack of pronoun-antecedent agreement
Poorly integrated quotation
Unnecessary or missing hyphen
Sentence fragment

Sentence Grammar
33 Parts of Speech
a Verbs
b Nouns
c Pronouns
d Adjectives
e Adverbs
f Prepositions
g Conjunctions
h Interjections

34 Parts of Sentences
a The basic grammar of sentences
b Subjects
c Predicates
d Phrases
e Clauses
f Types of sentences

35 Verbs and Verb Phrases
a Understand the five forms of verbs
b Form verb phrases appropriately
c Use appropriate forms of irregular verbs
d Choose between lie and lay, sit and set, rise and raise
e Use verb tenses appropriately
f Sequence verb tenses effectively
g Use active and passive voice effectively
h Understand mood and conditional sentences

36 Nouns and Noun Phrases
a Use count and noncount nouns appropriately
b Use determiners appropriately
c Use articles conventionally

37 Subject-Verb Agreement
a Understand subject-verb agreement
b Make separated subjects and verbs agree
c Make verbs agree with compound subjects
d Make verbs agree with collective nouns
e Make verbs agree with indefinite pronouns
f Make verbs agree with who, which, and that
g Make linking verbs agree with subjects
h Make verbs agree with subjects ending in -s
i Make verbs agree with subjects that follow
j Make verbs agree with titles and words used as words

38 Pronouns
a Consider a pronoun’s role in the sentence
b Use who, whoever, whom, and whomever appropriately
c Consider case in compound structures
d Consider case in elliptical constructions
e Use we and us appropriately before a noun
f Make pronouns agree with antecedents
g Make pronouns refer to clear antecedents

39 Adjectives and Adverbs
a Understand adjectives and adverbs
b Use adjectives after linking verbs
c Use adverbs to modify verbs, adjectives, and adverbs
d Choose appropriate comparative and superlative forms
e Consider nouns as modifiers
f Understand adjectives ending in -ed and -ing
g Put adjectives in order
h Avoid overuse of adverbs and adjectives

40 Modifier Placement
a Revise misplaced modifiers
b Revise disruptive modifiers
c Revise dangling modifiers

41 Prepositions and Prepositional Phrases
a Use prepositions idiomatically
b Use two-word verbs idiomatically

42 Comma Splices and Fused Sentences
a Identify comma splices and fused sentences
b Separate clauses into two sentences
c Link the clauses with a comma and a coordinating conjunction
d Link the clauses with a semicolon
e Rewrite the clauses as one independent clause
f Rewrite one independent clause as a dependent clause
g Link the two clauses with a dash

43 Sentence Fragments
a Identify sentence fragments
b Revise phrase fragments
c Revise compound-predicate fragments
d Revise dependent-clause fragments

Punctuation and Mechanics
44 Commas
a Use commas to set off introductory words, phrases, and clauses
b Use commas with conjunctions that join clauses in compound sentences
c Use commas to set off nonrestrictive elements
d Use commas with items in a series
e Use commas to set off parenthetical and transitional expressions
f Use commas to set off contrasting elements, interjections, direct address, and tag questions
g Use commas with dates, addresses, titles, and numbers
h Use commas to set off most quotations
i Use commas to prevent confusion
j Eliminate unnecessary commas

45 Semicolons
a Use semicolons to link independent clauses
b Use semicolons to separate items in a series containing other punctuation
c Revise misused semicolons

46 End Punctuation
a Use periods appropriately
b Use question marks appropriately
c Use exclamation points appropriately
d Consider end punctuation in informal writing

47 Apostrophes
a Use apostrophes appropriately to show possession
b Use apostrophes in contractions
c Avoid apostrophes in most plural forms

48 Quotation Marks
a Use quotation marks to identify direct quotations
b Punctuate block quotations and poetry appropriately
c Use quotation marks for titles of short works
d Use quotation marks appropriately for definitions
e Use quotation marks to identify irony and invented terms
f Follow conventions for other punctuation with quotation marks
g Revise misused quotation marks

49 Other Punctuation Marks
a Use parentheses appropriately
b Use brackets appropriately
c Use dashes appropriately
d Use colons appropriately
e Use slashes appropriately
f Use ellipses appropriately

50 Capital Letters
a Capitalize the first word of a sentence or line of poetry
b Capitalize proper nouns and proper adjectives
c Capitalize titles of works
d Revise unnecessary capitalization

51 Abbreviations and Numbers
a Abbreviate some titles before and all titles after proper names
b Abbreviate years and hours appropriately
c Abbreviate some business, government, and science terms
d Use abbreviations in official company names
e Use Latin abbreviations appropriately
f Use symbols and unit abbreviations appropriately
g Use other abbreviations according to convention
h Spell out numbers expressed in one or two words
i Spell out numbers that begin sentences
j Use figures according to convention

52 Italics
a Italicize titles of long works
b Italicize words, letters, and numbers used as terms
c Italicize non-English words and phrases

53 Hyphens
a Use hyphens with compound words
b Use hyphens with prefixes and suffixes
c Avoid unnecessary hyphens

MLA Documentation
54 The Basics of MLA Style
a Think about what readers need from you
b Consider the context of your sources
c Plan and connect your citations
d Include notes as needed
e Format MLA manuscripts appropriately

55 MLA Style for In-Text Citations
Directory: In-text citations

56 MLA Style for a List of Works Cited
Directory: Works-cited entries

57 A Student Research Essay, MLA Style

APA Documentation
58 The Basics of APA Style
a Think about what readers need from you
b Identify the type of source you are using
c Plan and connect your citations
d Include notes as needed
e Format APA manuscripts appropriately

59 APA Style for In-Text Citations
Directory: In-text citations

60 APA Style for a List of References
Directory: References

61 A Student Research Essay, APA Style

Chicago Documentation
62 The Basics of Chicago Style
a Consider what readers need from you
b Connect parts of citations
c Format Chicago manuscripts appropriately

63 Chicago Style for Notes and Bibliographic Entries
Directory: Notes and bibliographic entries

64 An Excerpt from a Student Research Essay, Chicago Style

Glossaries and Index
Glossary of Usage
Index with Glossary of Terms

Authors

Andrea A. Lunsford

Andrea Lunsford, Louise Hewlett Nixon Professor of English emerita and former Director of the Program in Writing and Rhetoric at Stanford University, joined the Stanford faculty in 2000. Prior to this appointment, she was Distinguished Professor of English at The Ohio State University (1986-2000) and, before that, Associate Professor and Director of Writing at the University of British Columbia (1977-86) and Associate Professor of English at Hillsborough Community College. A frequent member of the faculty of the Bread Loaf School of English, Andrea earned her B.A. and M.A. degrees from the University of Florida and completed her Ph.D. in English at The Ohio State University (1977). She holds honorary degrees from Middlebury College and The University of Ôrebro.

Andrea's scholarly interests include the contributions of women and people of color to rhetorical history, theory, and practice; collaboration and collaborative writing, comics/graphic narratives; translanguaging and style, and technologies of writing. She has written or coauthored many books, including Essays on Classical Rhetoric and Modern Discourse; Singular Texts/Plural Authors: Perspectives on Collaborative Writing; and Reclaiming Rhetorica: Women in the History of Rhetoric, as well as numerous chapters and articles. For Bedford/St. Martin’s, she is the author of The St. Martin's Handbook, The Everyday Writer, and EasyWriter; the co-author (with John Ruszkiewicz) of Everything’s an Argument and (with John Ruszkiewicz and Keith Walters) of Everything’s an Argument with Readings; and the co-author (with Lisa Ede) of Writing Together: Collaboration in Theory and Practice. She is also a regular contributor to the Bits teaching blog on Bedford/St. Martin’s English Community site.

Andrea has given presentations and workshops on the changing nature and scope of writing and critical language awareness at scores of North American universities, served as Chair of the Conference on College Composition and Communication, as Chair of the Modern Language Association Division on Writing, and as a member of the MLA Executive Council. In her spare time, she serves on the Board of La Casa Roja’s Next Generation Leadership Network, as Chair of the Kronos Quartet Performing Arts Association--and works diligently if not particularly well in her communal organic garden.