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The Everyday Writer by Andrea A. Lunsford - Eighth Edition, 2023 from Macmillan Student Store
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The Everyday Writer

Eighth  Edition|©2023  Andrea A. Lunsford

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  • About
  • Digital Options
  • Contents
  • Authors

About

Andrea Lunsford’s The Everyday Writer makes writing in any situation easier for you. This highly-visual handbook helps you to write in your classes, in your community, in your workplace, and in your everyday life. Lunsford helps you meet the expectations of college writing—but also honors the varieties of everyday English and the experimenting you might do to fit a range of writing situations.

Digital Options

E-book

Read online (or offline) with all the highlighting and notetaking tools you need to be successful in this course.

Learn More

Achieve

Achieve is a single, easy-to-use platform proven to engage students for better course outcomes

Learn More

Contents

Table of Contents

Writing Rhetorically
1. A Writer’s Opportunities  
2. A Writer’s Choices
3. Exploring, Planning, and Drafting  
4. Developing Paragraphs  
5. Reviewing, Revising, and Editing  
6. Reflecting 

Critical Thinking and Argument
7. Critical Reading  
8.  Analyzing Arguments 
9. Constructing arguments 

Research
10. Doing research
11. Evaluating Sources  
12. Integrating Sources and Avoiding Plagiarism 

Academic, Professional, and Public Writing
13. Writing Well and Ethically in Any Discipline or Profession 
14. Writing in the Humanities  
15. Writing in the Social Sciences 
16.  Writing in the Natural and Applied Sciences  
17.  Writing in Professional Settings  
18.  Making Design Decisions  
19.  Creating Presentations  
20.  Communicating in Other Media  
21.  Writing to Make Something Happen in the World  

Language and Style
22. Language and Identity 
23. Language Varieties 
24. Writing to the World 
25. Language That Builds Common Ground  
26.  Style Matters!
27. Coordination, Subordination, and Emphasis
28. Consistency and Completeness
29. Parallelism
30 Shifts
31 Conciseness

32. The Top Twenty

Sentence Grammar
33. Parts of Speech
34. Parts of Sentences
35. Verbs and Verb Phrases
36. Nouns and Noun Phrases
37. Subject-Verb Agreement
38. Pronouns
39. Adjectives and Adverbs
40. Modifier Placement
41. Prepositions and Prepositional Phrases
42. Comma Splices and Fused Sentences
43. Sentence Fragments

Punctuation and Mechanics
44. Commas
45. Semicolons
46. End Punctuation
47. Apostrophes
48. Quotation Marks
49. Other Punctuation Marks
50. Capital Letters
51. Abbreviations and Numbers
52. Italics and Hyphens

MLA Documentation
53. The Basics of MLA Style
54. MLA Style for In-Text Citations
55. MLA Style for a List of Works Cited
56. A Student Research Essay, MLA Style

APA Documentation
57. The Basics of APA Style
58. APA Style for In-Text Citations
59. APA Style for a List of References
60. A Student Research Essay, APA Style

Chicago Documentation
61. The Basics of Chicago Style
62. Chicago Style for Notes and Bibliographic Entries
63. An Excerpt from a Student Research Essay, Chicago Style

Authors

Andrea A. Lunsford

Andrea Lunsford, Louise Hewlett Nixon Professor of English emerita and former Director of the Program in Writing and Rhetoric at Stanford University, joined the Stanford faculty in 2000. Prior to this appointment, she was Distinguished Professor of English at The Ohio State University (1986-2000) and, before that, Associate Professor and Director of Writing at the University of British Columbia (1977-86) and Associate Professor of English at Hillsborough Community College. A frequent member of the faculty of the Bread Loaf School of English, Andrea earned her B.A. and M.A. degrees from the University of Florida and completed her Ph.D. in English at The Ohio State University (1977). She holds honorary degrees from Middlebury College and The University of Ôrebro.

Andrea's scholarly interests include the contributions of women and people of color to rhetorical history, theory, and practice; collaboration and collaborative writing, comics/graphic narratives; translanguaging and style, and technologies of writing. She has written or coauthored many books, including Essays on Classical Rhetoric and Modern Discourse; Singular Texts/Plural Authors: Perspectives on Collaborative Writing; and Reclaiming Rhetorica: Women in the History of Rhetoric, as well as numerous chapters and articles. For Bedford/St. Martin’s, she is the author of The St. Martin's Handbook, The Everyday Writer, and EasyWriter; the co-author (with John Ruszkiewicz) of Everything’s an Argument and (with John Ruszkiewicz and Keith Walters) of Everything’s an Argument with Readings; and the co-author (with Lisa Ede) of Writing Together: Collaboration in Theory and Practice. She is also a regular contributor to the Bits teaching blog on Bedford/St. Martin’s English Community site.

Andrea has given presentations and workshops on the changing nature and scope of writing and critical language awareness at scores of North American universities, served as Chair of the Conference on College Composition and Communication, as Chair of the Modern Language Association Division on Writing, and as a member of the MLA Executive Council. In her spare time, she serves on the Board of La Casa Roja’s Next Generation Leadership Network, as Chair of the Kronos Quartet Performing Arts Association--and works diligently if not particularly well in her communal organic garden.


The best tool for practicing language awareness

Andrea Lunsford’s The Everyday Writer makes writing in any situation easier for you. This highly-visual handbook helps you to write in your classes, in your community, in your workplace, and in your everyday life. Lunsford helps you meet the expectations of college writing—but also honors the varieties of everyday English and the experimenting you might do to fit a range of writing situations.

E-book

Read online (or offline) with all the highlighting and notetaking tools you need to be successful in this course.

Learn More

Achieve

Achieve is a single, easy-to-use platform proven to engage students for better course outcomes

Learn More

Table of Contents

Writing Rhetorically
1. A Writer’s Opportunities  
2. A Writer’s Choices
3. Exploring, Planning, and Drafting  
4. Developing Paragraphs  
5. Reviewing, Revising, and Editing  
6. Reflecting 

Critical Thinking and Argument
7. Critical Reading  
8.  Analyzing Arguments 
9. Constructing arguments 

Research
10. Doing research
11. Evaluating Sources  
12. Integrating Sources and Avoiding Plagiarism 

Academic, Professional, and Public Writing
13. Writing Well and Ethically in Any Discipline or Profession 
14. Writing in the Humanities  
15. Writing in the Social Sciences 
16.  Writing in the Natural and Applied Sciences  
17.  Writing in Professional Settings  
18.  Making Design Decisions  
19.  Creating Presentations  
20.  Communicating in Other Media  
21.  Writing to Make Something Happen in the World  

Language and Style
22. Language and Identity 
23. Language Varieties 
24. Writing to the World 
25. Language That Builds Common Ground  
26.  Style Matters!
27. Coordination, Subordination, and Emphasis
28. Consistency and Completeness
29. Parallelism
30 Shifts
31 Conciseness

32. The Top Twenty

Sentence Grammar
33. Parts of Speech
34. Parts of Sentences
35. Verbs and Verb Phrases
36. Nouns and Noun Phrases
37. Subject-Verb Agreement
38. Pronouns
39. Adjectives and Adverbs
40. Modifier Placement
41. Prepositions and Prepositional Phrases
42. Comma Splices and Fused Sentences
43. Sentence Fragments

Punctuation and Mechanics
44. Commas
45. Semicolons
46. End Punctuation
47. Apostrophes
48. Quotation Marks
49. Other Punctuation Marks
50. Capital Letters
51. Abbreviations and Numbers
52. Italics and Hyphens

MLA Documentation
53. The Basics of MLA Style
54. MLA Style for In-Text Citations
55. MLA Style for a List of Works Cited
56. A Student Research Essay, MLA Style

APA Documentation
57. The Basics of APA Style
58. APA Style for In-Text Citations
59. APA Style for a List of References
60. A Student Research Essay, APA Style

Chicago Documentation
61. The Basics of Chicago Style
62. Chicago Style for Notes and Bibliographic Entries
63. An Excerpt from a Student Research Essay, Chicago Style

Andrea A. Lunsford

Andrea Lunsford, Louise Hewlett Nixon Professor of English emerita and former Director of the Program in Writing and Rhetoric at Stanford University, joined the Stanford faculty in 2000. Prior to this appointment, she was Distinguished Professor of English at The Ohio State University (1986-2000) and, before that, Associate Professor and Director of Writing at the University of British Columbia (1977-86) and Associate Professor of English at Hillsborough Community College. A frequent member of the faculty of the Bread Loaf School of English, Andrea earned her B.A. and M.A. degrees from the University of Florida and completed her Ph.D. in English at The Ohio State University (1977). She holds honorary degrees from Middlebury College and The University of Ôrebro.

Andrea's scholarly interests include the contributions of women and people of color to rhetorical history, theory, and practice; collaboration and collaborative writing, comics/graphic narratives; translanguaging and style, and technologies of writing. She has written or coauthored many books, including Essays on Classical Rhetoric and Modern Discourse; Singular Texts/Plural Authors: Perspectives on Collaborative Writing; and Reclaiming Rhetorica: Women in the History of Rhetoric, as well as numerous chapters and articles. For Bedford/St. Martin’s, she is the author of The St. Martin's Handbook, The Everyday Writer, and EasyWriter; the co-author (with John Ruszkiewicz) of Everything’s an Argument and (with John Ruszkiewicz and Keith Walters) of Everything’s an Argument with Readings; and the co-author (with Lisa Ede) of Writing Together: Collaboration in Theory and Practice. She is also a regular contributor to the Bits teaching blog on Bedford/St. Martin’s English Community site.

Andrea has given presentations and workshops on the changing nature and scope of writing and critical language awareness at scores of North American universities, served as Chair of the Conference on College Composition and Communication, as Chair of the Modern Language Association Division on Writing, and as a member of the MLA Executive Council. In her spare time, she serves on the Board of La Casa Roja’s Next Generation Leadership Network, as Chair of the Kronos Quartet Performing Arts Association--and works diligently if not particularly well in her communal organic garden.


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